If there was something memorable about Superbowl 53, it definitely wasn’t the match up between the Los Angeles Rams, and the Boston Patriots. Mid-way through the 4th quarter, the Patriots scored there first touchdown and the audience re-awoke from their deep sleep. The only life-saving parts of the games were the 3 minute intermissions when media time outs were taken for commercial breaks.
When producing a video and recording the audio, the sensible solution is to look up the cheapest Rhode shotgun mic and attach it to the hot shoe of the DSLR camera. That is fine if you are producing a elementary highlight video of their field day, but the more shooting and recording you do, the better trained your ears become to being able to discern what good audio is, and empty audio. A shotgun mic is an extremely direction mic that picks of vocal ranges 40 Hz to 20 kHz, which differs based upon the mic you are using. For instance, the Sennheiser MKE 600 shotgun mic is brilliant in its durability, its dependability and its sound quality. But when comparing this mic to the Shure SM7B micrphone, the warm vocal quality simply isn’t there.
While the shotgun works great for run-n-gun situations, for more standard and formal interviews, I recommend a mic that reaches deeper into the human vocal range and doesn’t leave out half the tones that make a voice, full. The Shure SM7B microphone creates that feeling of closeness, warmness, and vocal responses that draw the audience in, which less need for remaster your audio using parametric EQ effects.
The SM7B dynamic microphone has a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices.
The SM7B has been updated from earlier models with an improved bracket design that offers greater stability. In addition to its standard windscreen, it also includes the A7WS windscreen for close-talk applications.
- Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speech
- Bass rolloff and mid-range emphasis (presence boost) controls with graphic display of response setting
- Improved rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitors
- Internal “air suspension” shock isolation virtually eliminates mechanical noise transmission
- Highly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals or narration
- Now shipping with the A7WS detachable windscreen, designed to reduce plosive sounds and gives a warmer tone for close-talk vocals
- Yoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone position
- Classic cardioid polar pattern, uniform with frequency and symmetrical about axis, to provide maximum rejection and minimum coloration of off-axis sound
- Rugged construction and excellent cartridge protection for outstanding reliability
- Replacement cartridge: RPM106
So when considering your next mic choice, don’t just run to whatever is cheapest and easy. Take the time to buy equipment that will deliver quality audio. The Shure SM7B will do just that.
After the Superbowl LIII broadcast on CBS this year, there is a new show called The Worlds Best. Similar to America’s Got Talent, Britain Gots Talent, or a host of other shows that highlight how awesome people are, The Worlds Best is the culmination of those shows scraping off the cream of the crop and producing a two hour show that highlights the best in the world.
The famous Dan Brown once said, “Sometimes a change of perspective is all it takes to see the light.” When you have 100 tea candles sitting on the floor of your garage and you are looking around trying to find the right angle to film them, it’s all about the perspective from which you are looking.
Why is it important to take breaks during the day? Your brain gets tired of staring at the screen and requires short recharges. Taking a few minutes per hour to look out a window, get a drink, or talk to a co-worker is all it takes to be able to refocus and allow your brain to rest and settle. When color editing, it is always surprising how when I have been color editing for multiple hours, I feel like my work looks good. After coming back from a short time out, I watch the video and wonder if someone was playing a practical joke on me with the colors.
Creating custom motion backgrounds can be challenging for multiple reasons, at a very minimum, costly and time consuming. The highly anticipated Christmas Trains was a recent set of motion backgrounds I produced that featured a set of HO model trains in three different variations surrounded by a Christmas village, trees, and smoke.
Red Giant released it’s newest version of Trapcode Particular a few months ago. I decided to purchase it and see what improvements were made to the current version, and what additional options were added. While the previous version had all the main capabilities to create complex particle systems, it wasn’t until this new release that it has opened the door for non-CG experts to be able to create those scenes with a click of the button. Let’s face it, most of us are just interested in how to create snow, so buying an expensive plugin is usually not the first place we turn to. However, Red Giant’s latest version has changed the game yet again in how Trapcode Particular will be perceived.
So What’s New?
The biggest change to the user interface inside the plugin is a brand new design element that is loaded with hundreds of presets, making it nearly drag-n-drop for creating a huge variety of elements. Choose from over 9 preset categories. Fire, snow, fog, blocks, hearts, and other various particle systems are already built and loaded as presets. Just select the preset you are looking for, and instantly, your starting point is already done. All the options to adjust various customization to the system are still in play. Velocity, size, number of particles, color, physics, all of these features are still able to be adjusted. It is nearly overwhelming when first entering the plugin due to all the new options that are available.
There are even custom shapes and patterns that give you the framework from which particles can emit, using OBJ files already loaded in the plugin. Another new feature is the ability to have multiple particle systems in the same layer. Usually only one particle system can be on a single layer, now, there is an “add” button to where multiple systems can be added from within the design UI. Choose from lots of new particle sprites, and textures including geometric shapes, light bursts, and 3D objects. It’s a new day for Trapcode, and it will take more than a day to figure it all out.
To learn more about this product, visit Redgiant.com.
In the video production world, gear is important. New pieces of equipment are vital in order to upgrade, or resupply failing or aging gear. Having every piece of gear is nearly impossible for most film producers, so hard choices have to be made when deciding what gear to buy. Budgets are real things and with constraints, so come the tough choices. A piece of gear that, to be perfectly honest, is more of a luxury, than a necessity is the Color Checker Passport.
While true colorist will quickly argue it’s the best way to get true colors and skin tones, it is possible to get very close without it. So what exactly is a Color Checker Passport and how does it help when color grading in post? First off, it’s the size of a passport, making it portable and easy to bring in a bag. When opened, it has 4 charts: white balance card, focus checker, color pallet, and a set of grade levels for setting exposure.
For now, I mainly want to focus on the usefulness of the color pallet. While I am not going to go into detail on how to use it exactly, the main idea is that when filming, capture a frame of video that has the color checker in the shot. Once you have downloaded your footage, when color grading, you can check the brand name of the color checker passport and then look up the grade table in a video editing software program such as Divinci Resolve. After selecting your passport checker in the drop down menu, when you sample a color in the footage, the program knows what the color is supposed to look like and will apply the necessary changes to the footage to achieve the most natural look. It takes the guess work out of color grading/adjusting the white balance.
Once again, I see this piece of gear as a luxury as it does come in at a cost of nearly $100 and it is an extra step to take when starting to work on the final look of your project. However, if you are a die-hard fan of the truest skin tones, it might be exactly what is needed to achieve better looking footage. I own one, and hardly use it. I have never had a client complain. But, there is a small part of me that wonders how much better the colors might be if I did use it.
Motionbolt.com is a resource dedicated to providing the highest quality of motion backgrounds and animated video loops. Started in 2012, Motionbolt.com has helped hundreds of thousands of people bring life into their projects though these video loops.
If you have enjoyed the backgrounds on this site, do me a favor and share my link on your website or resource circle. That way, Motionbolt.com can continue to help others and continue to strive producing high quality media that is affordable and royalty free.